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how to mic a saxophone live

That mic is a bit more true and natural. I really only mention these two Shure mics because of their wide availability. In fact, there’s a good reason that some people find it grating. This is a nasal frequency range in vocals, and can also be compared to a “honk.” If you are familiar with bari sax, you should not be surprised to hear that its sound can be characterized by “nasal honk” and “grating presence.”. If you want to add more air, you might use a high-shelf at around 10-11 kHz. Read on. So you will pick up room reflection across from the player unless you use blankets or baffles to isolate sound- although this may be alright if your room sounds good for recording. This uniquely omnidirectional dynamic mic has a surprisingly flattering frequency response, that has been compared to the inverse of the SM57. A baritone sax doubling the bass line will add presence to the bass. So there you go, a starting guide to some diverse options when seeking to mic your bari sax playing. The least you deserve is to be heard in all your glory. This assumes a standard big band setup with trombones on risers behind the sax's and trumpets standing on risers as well behing the trombones. Although most saxes are made of brass they’re still classified as woodwind instruments because sound is produced by an oscillating reed in the mouthpiece of the instrument. If you move the mic away from the sax, you’ll pick up more of the room ambiance. If you are playing with an ensemble in the studio, the Shure Beta 58a is still a fabulous choice. After doing some more research on the frequency responses of different vocal dynamic mics, my ultimate recommendation for live playing is actually the Shure Beta 58a. It’s also more important that you are playing in a good-sounding room, as the mic will capture more room sound. Placing the mic too close to the bell of the instrument will only accentuate the lower frequencies instead of capturing the full, robust sound of the saxophone. The baritone sax is an overlooked, underappreciated, huge, expensive instrument. “What’s the range of a baritone sax? This mic is cardioid, like the SM58a, so it would focus its pickup on your instrument while rejecting surrounding instruments. You see live players do this sometimes, but this is more to combat bleed with other instruments on stage than as a means to optimize the sound of the sax. An obligatory presence in classic Motown and soul recordings. Thanks However, the sound character is brighter and more open in general. Technique #2: Place a mic about 18 to 24 inches away from the player’s left side of the instrument, about halfway up the keys, and aimed slightly down at the bell (see Figure 9.39). So there you go, a starting guide to some diverse options when seeking to mic your bari sax playing. In regard to micing jazz live, I've recorded many live jazz big bands, and found that a pair of large diaphram condensers about 6-8 feet from the sax row, about 4-5 feet up, and about 12 feet seperated works very well. Then, for the nasal-sounding tones, I’ll cut around 1.2 kHz. Technique #1: Place a mic directly in front of the sax at a distance of 12 to 16 inches to capture a sound that’s very authentic. It is frequently mentioned in the same breath as the comparable Shure SM7b. The RE20 is one of the finest dynamic mics that money can buy, and has a price tag to match. The demonstration uses various different DPA mics: the d:vote™ 4099S (Sax) Instrument mic, the d:dicate™ 4011ES Recording Mic with GSM4000 gooseneck mount, the d:screet™ 4061 […] It boasts far more fidelity in the high frequencies (which will capture that lovely brass air tone.) © 2020 Sound Network. If you want something even better, consider one of my personal favorite mics, the Electro-Voice RE20. I have worked on a number of tunes in jazz and soul styles, and I’ve hired brass sections that included bari sax. On the contrary, the SM58 has a smoother, woolier tone that will tame some of the bari sax’s wilder tones, particularly with very brite playing. But it can be recovered. Since this mic is omnidirectional, it is not ideal for playing in an ensemble- it would tend to capture bleed from other instruments. Sign up for a weekly digest and cool music production news from Bobby Owsinski, Any purchases you make by going through our Amazon link below helps support this blog at no cost to you, A Big Shakeup At Gibson Could Be Coming Soon, 4 Good Reasons For Hanging Your Microphone Upside Down. More expensive and delicate mics, unsuited for live gigs, can capture the ultimate high-fidelity sound when recording in isolation. So what mic is the best choice for baritone saxophone? Fifteen or twenty feet if you have a good arm!” If you’re here, then you have made peace with your choice of instrument. If your budget is larger, consider the Royer 121. When they’re warming up, sax players will inevitably find the spot in the room (usually a couple of feet from a wall) where the horn sounds best to them. All of my recording recommendations so far have been dynamic mics. Happy Thanksgiving And Thanks For Reading! The high-frequency information is all there, it’s just muted. The Avantone CR-14 is a notable exception, priced stupidly low for its quality. Whether you are playing live or recording in a studio, there are great choices. As a result, sounds in this range have a lot of “presence.” This is a difficult line to tow; there is a fine line between “present” and “obnoxious.” Put another way, bari sax should be played and recorded delicately, at risk of grating on the listener’s ears and overstaying its welcome. NW5 1TL View on a map →. If you have made a recording but you’re not sure the best way to polish and process it, don’t be afraid to reach out to a professional mixing and mastering service. The bell gives you the honk on the highs and some of the low-frequency components, with only the lowest note coming exclusively out of the bell.

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